Audio Mixing Master Class Download Torrent
Class Size: 4-9 students. Additional Benefits: Monthly pay-as-you-go instalment plans are available for this course; All students are eligible for 40% off Ableton Live. Liveschool’s Mixing + Mastering module is included within the larger Produce Music course. Conquer advanced music production by learning how to mix and master like the pros. Sound Design, Signal Flow & Synthesis; Writing Chord Progressions.
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- [Instructor] First of all,we're going to play this song.It's something you've heard before,because I've used it before on many demonstrations.I like this song because it was recorded really welland also there's not a lot of tracks,but there's enough it makes it very interesting.Here we go, here's this RnB song.('Never Like This Before' by The Nashville All Stars)Now, as you can see, all the faders are pretty muchwhere you'd expect them to be.
None of them are too particularly highor very, very low, they're kind ofin the range that you'd expect them.So, what we're going to do, though,is we're going to add a trim control,and we're going to put it in the very last insertin the signal path, so I'm going to go down hereand I'm going to pick trim.This may be called something elseon another digital audio workstation,but you can use this or you can use,really, any plugin that has a level control,and I like to use this one becauseit doesn't take up a lot of system resources,where some other plugins might take up a lot,and since we're going to use a lot of these,that's really something that we have to think about.
So, for instance, I could go to another plugin.This is one that I would use frequently,it's 1-Band EQ, and what we do is, we'd use the gain, here.We wouldn't use the EQ at all, we'd justuse the gain, and that would give us,basically, the same thing, but, I'm going to go backto our trim, because that's really what we want.So, the first thing I'm going to dois I'm going to copy this onto all the channels,and again, we have insert points,and I'm going to make sure this is going to bein the very last one of each, so I'm going to copy it.On Pro Tools, what that is is,hold down the Option key, and you click, and you drag.
Click and drag, click and drag, and that copies it over.So, we're going to put this on every single channelincluding the effects channels, as well.Okay, so, now this was stereo going to mono.It doesn't like that, so now we have to do another plugin,or actually, we can just copy this one over.That's easy.Here we go, putting them in everywhere.
Okay, won't do that one, again, so, do that.On the vocal, you won't need one on the master.You could put it there, but it's notgoing to go above zero anyway, and if we did this right,it should be at zero, the fader should be at zero,so, usually don't have to worry about that one,but we do want to put it in our effects.Okay, again, this is mono, so wehave to go and find another trim.
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Now, you could just mix from your trim controls.You can set everything at zero,and redo the mix from this trim,and that's one way to do it, but it's probablygoing to take you a lot of time.You've already done the mix, so let'sjust duplicate it, only in a different way.So, here's the secret.We look down at each channel, in this case,the kick in, and we see that the fader's up by plus six.So, we go to our trim control,and we're going to turn it up to plus six,and then we look at the second fader,and we see that it's up 2.1 dB,so now we come up here and we insert 2.1,and now what I can do is I can set these to zero.
The way I do it is I hit the Option key,and I just click on the fader,and both of them go back to grouped,so, both of them go back to zero.Doesn't matter, because, don't forget,we've done the actual level with our trim controls, here.Now, we have a group fader here.The group fader's up 3.1, so come over here,and we're going to insert 3.1,and now we could zero this out.Let's just listen.
('Never Like This Before' by The Nashville All Stars)So far, so good.Now, come over here to the snare.The snare top is down 6.2 dB, so nowwe're going to go in here and say minus 6.2,and the snare bottom is down 11 dB,so we'll come over here and we'll say minus 11.Alright, and now we can zero these outand our snare group is down minus 1.1,so I'll come over here, minus 1.1,we can zero that out, let's have a quick listen.
('Never Like This Before' by The Nashville All Stars)And now, we come over to the hat.The hat is down minus 13.4, over here and say minus 13.4.Zero this out, now you can always goup to the EQ or to another insert,and you could change it up here.The reason why it's probably not a good ideais any time you change somethingon a plugin, you risk the chance of changing the tone,and especially something that's modeled.
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You don't want to change the tone,so the less you change the levelafter you've gotten the sound that you want,the better off you are, and that's why the trim controlworks better at the end, in other words,the very last insert, than the first one.If you put it up here, and you do your mixing,you're actually changing how your plugins are being driven.So, in other words, if you decrease the levelall of a sudden, then the level to the compressor,for instance, is going to be changed,which means that maybe there's no compression, now,where before you had 3 dB, and now,when you changed it, there's no compression happening,so you just changed your whole sound,so that's why you don't want it there.
You want it after all of your plugins.So, now we're up to the floor tom.Floor tom is down minus 6.5, okay.Put in minus 6.5, zero it out, and I'm going to go throughall of these and we'll fast forwardto when I finish it so you can see what it looks like.Now, here we have all of our faders flat on a straight lineand the only thing that we haven't done so faris the effects, and we'll do those, as well,because, don't forget, if we're sending thisto another mixer, the whole idea is everythingbe at zero so the initial mix is very easy to get.
This is increased 3.6, 3.6, this is down .1, minus .1,this is minus 2.5, so we put in minus 2.5, and there we go.We have a totally flat fader mix.Let's listen to it.('Never Like This Before' by The Nashville All Stars)So, there we go, it sounds just the way it did before.
The only difference is, the faders are flat.Now, of course, we could have used something else,and just as an example, this is plus 2.1,so let's say we could have used an EQ,and we put in 2.1, and we basically get the same thing here.So, in order to get flat fader mixing,first, insert a trim plugin, or you canuse another plugin that has an input and output controlif a trim is not available.Then, make sure it's the last thingin the signal path of the channel.
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So, in other words, if you have a number of plugins,this should be the very last one in the signal chain.Next, set the balances via the trim controlaccording to the amount of fader travel.So, in other words, if the fader is set at minus four,you set your trim control to minus four, as well,and finally, set all of your faders,which includes the channel, groups,and effects, set them all to zero.